Obscene Modernism
Eros Noir and the Profane Illumination of Djuna Barnes
Bibliographic Data
| ID | 9593261 |
|---|---|
| Authors | Dianne Chisholm (corresponding author) |
| Year | 1997 |
| Volume | 69 |
| Issue | 1 |
| Pages | 167 |
| Publication date | 1997-03-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | American Literature (JOURNAL) |
| Journal identifiers | ISSN: 0002-9831 • E-ISSN: 1527-2117 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/2928172 |
| OpenAlex | W2330309531 |
| Language | EN |
| Citations received | 8 |
Aesthetics · Art · Art history · Literature · Modernism (music) · American and British Literature Analysis · Cinema and Media Studies · Shakespeare, Adaptation, and Literary Criticism
The Neobaroque in Djuna Barnes
Against “the Censor’s Scythe”
“Obscene and touching”–the tainted aesthetic of Djuna Barnes’s Nightwood
Disinterest and Disruption
The Great Djuna
Women in the circus of modernity
Meeleheide ja morbiidne vitaalsus Djuna Barnesi „Öömetsas” ja Reed Morni „Andekas parasiidis”
Down on All Fours
| Unique citing works | 8 |
|---|---|
| Citations per year | 0,29 |
| Citation span | 1998 - 2023 (26) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 7 |