James Weldon Johnson and the Autobiography of an Ex-Colored Musician
Bibliographic Data
| ID | 9593267 |
|---|---|
| Authors | Cristina L Ruotolo (corresponding author) |
| Year | 2000 |
| Volume | 72 |
| Issue | 2 |
| Pages | 249-274 |
| Publication date | 2000-06-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | American Literature (JOURNAL) |
| Journal identifiers | ISSN: 0002-9831 • E-ISSN: 1527-2117 |
| Publisher | Duke University Press (PUBLISHER • US) |
| DOI | 10.1215/00029831-72-2-249 |
| OpenAlex | W2059581703 |
| Language | EN |
| Citations received | 6 |
| References cited | 12 |
American Literature - Volume 72, Number 2, June 2000
Art · Art history · Biography · Citation · Download · Icon · Library science · World Wide Web · Computer Science · History · Music History and Culture · Poetry Analysis and Criticism · Race, History, and American Society
The music of Black Americans
Blackface, White Noise
The Autobiography of an Ex-Coloured Man
Soul Texts and the Blackness of Folk
Hard Trials
Ragtime
The New Negroes and Their Music
A Right to Sing the Blues
Along This Way
Parody and Double Consciousness in the Language of Early Black Musical Theatre
Passing as Autobiography
Irony and Symbolic Action in James Weldon Johnson's The Autobiography of an Ex-Coloured Man
| Unique citing works | 6 |
|---|---|
| Citations per year | 0,24 |
| Citation span | 2001 - 2022 (22) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 3 |