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The World as Emblem

Language and Vision in the Poetry of Edward Taylor

Bibliographic Data

ID9594943
AuthorsAlan B Howard, Alan Howard (0009-0003-7273-6906, corresponding author)
Year1972
Volume44
Issue3
Pages359
Publication date1972-11-01
Open AccessNo
TypeARTICLE
VenueAmerican Literature (JOURNAL)
Journal identifiersISSN: 0002-9831 • E-ISSN: 1527-2117
PublisherJSTOR (PUBLISHER)
DOI10.2307/2924148
OpenAlexW2327606884
LanguageEN

TN THE PAST THIRTY YEARS, a good deal of critical attention has been concentrated on the paradoxes posed by Edward Taylor's role as an American Metaphysical.' From his life and teachings Taylor emerges as a strong, even reactionary exponent of the New England Way in theology and church polity;2 yet his poetry suggests a theology more like that of the Anglo-Catholics Donne and Herbert, supernaturalist and incarnational, admitting of miracles and transcensions of common sense, of ecstasy and ingenuity in the world of the poem as in the world of human experience.3 The

Art · Art history · Emblem · Literature · Poetry · American Constitutional Law and Politics · History

Highly citedNo

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