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Masculine Landscapes

Walt Whitman and the Homoerotic Text

Bibliographic Data

ID9595144
AuthorsJay Grossman, Byrne R S Fone
Year1993
Volume65
Issue4
Pages793
Publication date1993-12-01
Open AccessNo
TypeARTICLE
VenueAmerican Literature (JOURNAL)
Journal identifiersISSN: 0002-9831 • E-ISSN: 1527-2117
PublisherJSTOR (PUBLISHER)
DOI10.2307/2927307
OpenAlexW2003077607
LanguageEN
Citations received2

Scrutinizing the weave and texture of Walt Whitman's earliest poetry and fiction, the notebooks of 1845-54, the first edition (1855) of Leaves of Grass, and the Calamus poems, Byrne R. S. Fone demonstrates that from the beginning and throughout, Whitman's homoerotic muse, his Fierce Wrestler, dictated the shape, tone, and message of the poetry. In this first full-length study of homosexual textuality--the homosexual text, the homosexual tradition--and Walt Whitman's central place within that tradition and within that textuality both as a participant in that textuality and as a creator of it, Fone dismisses as irrelevant the question as to whether Whitman actually had sex with a man. His interest lies elsewhere, in how Whitman's imagination fueled the poems. What, he asks, are the consequences that homosexual desire had for Whitman's text? To answer that question and to clearly discern how Whitman transformed homosexual desire into an informing aesthetic, Fone shows how Whitman's sexuality is reflected in the work. He identifies the definitive signs, symbols, metaphors, and structures unique to homosexual texts as he examines ways in which the social, emotional, spiritual, aesthetic, and sexual facts of homosexuality shape and define the text. Further, he places Whitman in the contexts of nineteenth-century literary/social homosexual life as well as in the context of homosexual fantasy as expressed in certain nineteenth-century texts. Fone deals with issues that to the specific nature and the larger resonances of those textual elements Jacob Stockinger so suggestively described as 'homotextual.' More intriguing questions concern the paths--and the obstacles thereupon--thatWhitman took to the site where he could celebrate this substantial life and sing his manly songs. Noting that Whitman and others frequently speak as eloquently through what they choose not to say as through what they include in their works, Fone seeks to listen to and translate th

Art · History · Poetry Analysis and Criticism

  • Walt Whitman, Our Great Gay Poet

    Manfred Bietak, John Champagne•Journal of Homosexuality•2008

  • The Hallucinatory Landscape in Twentieth‐Century American Poetry

    Open Access•Eric S Rawson, Eric Rawson•The Journal of Popular Culture•2022

Citations per year0.11
Citation span2008 - 2022 (15)
Highly citedNo

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