From whom the Bull Flows
Hemingway in Parody
Bibliographic Data
| ID | 9595208 |
|---|---|
| Authors | James C Mckelly (corresponding author) |
| Year | 1989 |
| Volume | 61 |
| Issue | 4 |
| Pages | 547 |
| Publication date | 1989-12-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | American Literature (JOURNAL) |
| Journal identifiers | ISSN: 0002-9831 • E-ISSN: 1527-2117 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/2926994 |
| OpenAlex | W2327908857 |
| Language | EN |
| Citations received | 1 |
Catalogues and elaborates on traits writers exploit when parodying Hemingway’s iconic style, such as his simplistic language and grammatical structure, dramatic dialogue, and intense detail. Maintains that the power of parody simultaneously critiques, reveals, and celebrates the original work
Aesthetics · Art · Champion · Cliché · Context (archaeology) · Exaggeration · Idiot · Joke · Literature · Psychoanalysis · Sociology · Subject (documents) · American and British Literature Analysis · American Literature and Culture · History · Literature, Film, and Journalism Analysis · Psychology
| Citations per year | 0.5 |
|---|---|
| Citation span | 2024 - 2024 (1) |
| Highly cited | No |