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Long Black Song

Essays in Black American Literature and Culture

Bibliographic Data

ID9595758
AuthorsHobart Jarrett, Hobart S Jarrett, Houston A Baker
Year1974
Volume46
Issue3
Pages395
Publication date1974-11-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueAmerican Literature (JOURNAL)
Journal identifiersISSN: 0002-9831 • E-ISSN: 1527-2117
PublisherJSTOR (PUBLISHER)
DOI10.2307/2924423
OpenAlexW2120204383
LanguageEN
Citations received19

Houston Baker maintains that black American culture, grounded in a unique historical experience, is distinct from any other, and that it has produced a body of literature that is equally and demonstrably unique in its sources, values, and modes of expression. He argues that black American literature is rooted in black folklore- animal tales, trickster slave tales, religious tales, folk songs, spirituals, and ballads- and that a knowledge of this tradition is essential to the understanding of any individual black author or work. To deomonstrate the continuity of this tradition, Baker examines themes that appear in folklore and persist throughout contemporary black literature. Freedom and Apocalypse, for example, traces the idea that black Americans are a chosen people who will, by some violent means, overthrow the white man's tyranny.The essays culminate in an examination of the life and work of Richard Wright. Baker's treatment of Wright as a black American artist who recorded the black man's shift from an agrarian to an urban setting places Wright and the tradition of black literature and culture in a fresh perspective

Aesthetics · Art · Black culture · Black music · Literature · Movement (music) · Sociology · American and British Literature Analysis · Gender Studies · History

  • Ghost Towns and Ghost-ed Riders

    Shelly Jarenski•Resilience A Journal of the…•2018

  • Nineteenth‐Century African American Literature and the ‘New Regionalism’

    Open Access•Eric Gardner•Literature Compass•2010

  • "Figurations of Passage through "Of the Coming of John

    Christopher Powers, Christopher M Powers•CR The New Centennial Review•2015

  • Negotiating the Veil

    Ellen Daugherty•American Art•2010

  • The Revenge of Emmett Till

    James Braxton Peterson•African American Review•2012

  • Truth in Timbre

    Peter J Capuano•African American Review•2003

  • Baraka's Bohemian Blues

    John Gennari•African American Review•2003

  • Ring Shout! Literary Studies, Historical Studies, and Black Music Inquiry

    Samuel A Floyd•Black Music Research Journal•2002

  • Deadwood Dick

    Open Access•Blake Allmendinger•Journal of American Culture•1993

  • Black Boy's Comedy

    Petar Ramadanovic•Callaloo•2004

  • Voice" and "voicelessness" in rhetorical studies

    Eric King Watts•Quarterly Journal of Speech•2001

  • The Psychology of Sexual Racism and Aids

    Open Access•Howard C Stevenson•Journal of Black Studies•1994

  • Joel Chandler Harris and the Folklore of Slavery

    Open Access•Michael Flusche, Michael A Flusche•Journal of American Studies•1975

  • Print, Prosthesis, (Im)Personation

    M Wallace, Malcolm W Wallace•American Literary History•2008

  • Soul Texts and the Blackness of Folk

    Ronald Michael Radano•Modernism/modernity•1995

  • DuBois's “Double Consciousness”

    Open Access•Adolph Reed•Studies in American Political…•1992

  • The cultural logic of racism in Richard Wright’s Native Son

    Open Access•Meryem Ayan Meryem Ayan, Meryem Ayan•African Journal of History and…•2011

  • African American ethos and hermeneutical rhetoric

    Eric King Watts•Quarterly Journal of Speech•2002

  • The Plow and the Pen

    Blake Allmendinger•American Literature•2003

Unique citing works19
Citations per year0,37
Citation span1975 - 2018 (44)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 6
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