The Patient Particulars
American Modernism and the Technique of Originality
Bibliographic Data
| ID | 9597218 |
|---|---|
| Authors | Anita Helle, Christopher J Knight (0000-0002-7522-4127), Chris Knight (0000-0001-8432-0658) |
| Year | 1996 |
| Volume | 68 |
| Issue | 2 |
| Pages | 471 |
| Publication date | 1996-06-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | American Literature (JOURNAL) |
| Journal identifiers | ISSN: 0002-9831 • E-ISSN: 1527-2117 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/2928314 |
| OpenAlex | W2078999073 |
| Language | EN |
This literary history focuses on four texts -- Stein's Tender Buttons, Hemingway's In Our Time, Williams's Spring and All, and Moore's Observations -- examining the way in which the relation between word and world seems to have lost its quality of necessity and is itself consequent upon the modernists' own prior project to bridge the gap
Aesthetics · Art · Literature · Modernism (music) · Originality · Social science · Sociology · American and British Literature Analysis · American Literature and Culture · Philosophy · Poetry Analysis and Criticism
| Highly cited | No |
|---|