Emotions as a Bridge To Understanding the Future of Images and Society”
Bibliographic Data
| ID | 9601167 |
|---|---|
| Authors | Juan Antonio Roche Cárcel (0000-0003-1522-5918, University of Alicante, corresponding author), Melissa Julian (0000-0003-1522-6929, University of Alicante, corresponding author) |
| Year | 2026 |
| Publication date | 2026-03-03 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | The American Sociologist (JOURNAL) |
| Journal identifiers | ISSN: 0003-1232 • E-ISSN: 1936-4784 |
| Publisher | Springer Science and Business Media LLC (PUBLISHER) |
| DOI | 10.1007/s12108-026-09678-6 |
| OpenAlex | W7133304476 |
| Language | EN |
| References cited | 24 |
Sociology today is developing a pluralistic, methodological, and epistemological approach to the world of images—artistic, photographic, videographic, or cinematographic. Here, we will use a content analysis perspective, which, although still not widely known or appreciated, has existed at least since the 1930s and has numerous highly prestigious proponents—A. Weber, K. Mannheim, N. Elias, P. Bourdieu, R. Sennett, and others. We will therefore attempt to interpret the meaning of images, starting from Weberian interpretive sociology and his relationship to social and visual hermeneutics and the method of iconological analysis. We will also draw on the concepts of “future” and “emotion,” their interrelationships, and the ways in which sociologists approach them. In this work, the future is understood as a cultural fact (Appadurai and Villegas, 2015) and a sociocultural construct, while emotions are considered to produce feelings, identifications, and memories in images, even more so than words. In fact, they stimulate imagination, introspection, and understanding, and thus announce/denounce a reality or imagine alternatives to it. Finally, we argue that sociologists, in analyzing images, are “creators of the future” (Bell & Wau, 1971), and consequently, so is Visual Sociology itself. We conclude that emotions constitute a bridge to understanding the future of images and society
Bridge (graph theory · Hermeneutics · Meaning (existential · Social analysis · Social constructionism · Sociocultural evolution · Sociology of culture · History of Emotions Research · Participatory Visual Research Methods · Sociology and Norbert Elias
Practices of Seeing Visual Analysis
The Mess Inside
Strangers in Their Own Land
Emotions and society
The transformative image. The power of a photograph for social change
Notas acerca de una hermenéutica de la imagen
Processual Sociology
The Utility of Utopias
Theological History and the Legitimacy of the Modern Social Sciences
Imagens
A interpretação de imagens e o método documentário
Sobre el método de la interpretación documental y el uso de las imágenes en la sociología
O historiador da arte como colecionador de vestígios - Aby Warburg e a ciência da cultura
Para una sociología de la fotografía
Back to the Future. Sociological Perspectives on Expectations, Aspirations and Imagined Futures
Habitus e imaginación
Futures in Action
| Citation velocity | historical |
|---|---|
| Highly cited | No |