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Where are all the Mother-Heroines? Images of Maternity in Soviet Films of the 1930s

Bibliographic Data

ID9634523
AuthorsAlison Rowley (Alison Rowley is an associate professor in the Department of History at Concordia University. She is presently writing a book on Russian popular culture via the lens of the picture postcard., corresponding author)
Year2009
Volume44
Issue1
Pages25-38
Publication date2009-03-01
Open AccessYes
TypeARTICLE
VenueJournal of History (JOURNAL)
Journal identifiersISSN: 0008-4107 • E-ISSN: 2292-8502
PublisherUniversity of Toronto Press Inc. (UTPress) (PUBLISHER)
DOI10.3138/cjh.44.1.25
OpenAlexW53417799
LanguageEN
Citations received1

This article challenges accepted interpretations of Soviet women’s history, particularly the notion that the Soviet government engaged in a pro-natalist campaign in the 1930s. It undertakes an examination of the depiction of mothers in Soviet films, arguing that, given the close Party supervision of the film industry, these figures represent the official Soviet view of motherhood. The content of the films reveals that maternity was secondary in importance to labour outside of the home, and that the Soviet Union rejected the kind of pro-natalist campaigns found in the rest of Europe, especially the racially inspired one in Nazi Germany. The article concludes that the 1936 Soviet family legislation, in fact, had no effect on the depiction of mothers on Soviet screens

Art · Depiction · Economic history · Government (linguistics) · Legislation · Literature · Political science · Sociology · Soviet union · European history and politics · French Historical and Cultural Studies · Gender Studies · Historical Gender and Feminism Studies · History · Law · Philosophy

  • Women on the Screen

    Open Access•Ilya Utekhin•Slavonica•2026

Citations per year1
Citation span2026 - 2026 (1)
Highly citedNo

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