Skuka and the Absurd in Gogol'’s Tale of the ‘Two Ivans’

The present article is devoted to an analysis of Gogol'’s last story from his Ukrainian cycle, “The Story of How Ivan Ivanovich Quarrelled with Ivan Nikiforovich”; it makes use of canonical as well as innovative approaches to Gogol'’s tale in order to explore the significance of the epilogue to an interpretation of the story as a whole. The examination will encompass ideas on the temporal aspects of the narration, the philosophical concept of ennui/skuka, and the possible significance of the camera obscura as the setting for one of the key moments in the story. Whereas the camera obscura is the setting of the quarrel between the two main characters, the story ends with a manifestation of skuka from the narrator: how do these two elements relate to each other, and what do they suggest in terms of the possibility of reaching an all-encompassing interpretation of the ‘Two Ivans’

Art · Epistemology · Interpretation (philosophy · Key (lock · Linguistics · Literature · Narrative · Order (exchange · Computer Science · Discourse Analysis and Cultural Communication · Folklore, Mythology, and Literature Studies · Linguistics and language evolution · Philosophy