What Really Happens in Kobylians’ka’s Land , and Why It Matters

Since the publication of OlTia Kobylians’ka’s novel Zemlia (Land, 1902), the consensus of Ukrainian critics and scholars, both non-Soviet and Soviet, has held that the novel’s central event, and the element of the plot offering the main challenge to interpretation, is the murder of a young peasant by his brother. Attentive reading, however, reveals that the murder is constructed in the novel as a deed whose perpetrator remains unknown. Readings of the novel as an illustration of social or psychological causation in human affairs corresponded to the predispositions of populist critics of various periods. Readings more respectful of the text, and more in keeping with Kobylians’ka’s oeuvre as a whole, need to acknowledge that the world-view consistent with the novel is one that despairs of demonstrable causes. Narrative voice and implied readership in Land are managed so as to exclude the construct of an omniscient narrator authorizing a final, knowable version of past events. Instead, the novel may be seen as reflecting upon the irrationality of diverse models for explaining human behaviour. Common-sense social and psychological notions of causality are found inadequate to explain the murder in Land, as are racial determinism, accident, divine intervention, and the Nietzsche-inspired model of humankind as divided into strong and weak, free and enslaved

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