The Seventeenth-Century Literary Text
Aesthetic Problems and Perspectives
Bibliographic Data
| ID | 9644730 |
|---|---|
| Authors | James A Parente (corresponding author) |
| Year | 1985 |
| Volume | 18 |
| Issue | 1 |
| Pages | 48-69 |
| Publication date | 1985-03-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Central European History (JOURNAL) |
| Journal identifiers | ISSN: 0008-9389 • E-ISSN: 1569-1616 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0008938900016903 |
| OpenAlex | W2138997931 |
| Language | EN |
| References cited | 14 |
Seventeenth-century literature in the Holy Roman Empire has rarely been discussed in general cultural histories about the European Baroque. The dramatic achievements of Shakespeare, Calderon, and Corneille, the inimitable poetry of the Metaphysicals and Marino and the mischievous adventures of the Spanish picaro have long overshadowed the literary accomplishments of the German Baroque. Even today many scholars are still content to dismiss the German seventeenth century as derivative while, in the opposite camp, loyal Germanists currently defend its uniqueness. As is generally known, literary developments in the Empire were slowed by a number of unfortunate circumstances. Geographical, confessional, and linguistic disunity strongly contributed to the parochialism of German Baroque letters. Local literary societies were widely scattered throughout the Empire from Silesia to the Rhine and communication between them was greatly hampered. The lack of a main cultural center similar to the artistic hubs of Paris or London further isolated the writers from each other. In addition, confessional differences not only segregated Catholic and Protestant poets, but also resulted in the simultaneous development of a Batoque Latin and German literature
Ancient history · Archaeology · Art · Baroque · Comparative literature · Confessional · Empire · German · History of literature · Literary genre · Literature · Poetry · Political science · Politics · Protestantism · Roman Empire · Classics · Historical Influence and Diplomacy · Historical, Literary, and Cultural Studies · History · Law · Philosophy · Reformation and Early Modern Christianity · Religious studies · Religious Studies
Ludi theatrales
Die Dramen des Andreas Gryphius
Affekt und Artistik
Gesamtausgabe der deutschsprachigen Werke
Barock-Rhetorik
Geschichte, Politik und Gesellschaft im Drama des 17. Jahrhunderts
Die barocke Bildlichkeit und ihre Kritiker
Spectator – Lector – Actor. Zum Publikum von Jacob Bidermanns Cenodoxus. Mit Materialien zum literarischen und sozialgeschichtlichen Kontext der Handschriften von Ursula Hess
Gryphius und die Macht der Rede
Emblematik und Drama im Zeitalter des Barock
Versions of Imitation in the Renaissance
| Highly cited | No |
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