Afterlives of Anders als die Andern and of Weimar
Bibliographic Data
| ID | 9645313 |
|---|---|
| Authors | Sara L Friedman (0000-0001-9637-2543, University of California, Berkeley, corresponding author) |
| Year | 2024 |
| Volume | 57 |
| Issue | 3 |
| Pages | 338-356 |
| Publication date | 2024-09-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Central European History (JOURNAL) |
| Journal identifiers | ISSN: 0008-9389 • E-ISSN: 1569-1616 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0008938923001255 |
| OpenAlex | W4390820328 |
| Language | EN |
| References cited | 5 |
This article uses reconstructions of the 1919 German LGBTQ+ rights film Anders als die Andern ( Different from the Others ) to consider the meaning of the Weimar Republic. It surveys Weimar's historiography, memorialization efforts, public commemorations, museums, and film reconstruction, drawing connections between these fields. The film as an incomplete document becomes a metaphor for incomplete histories. As such, it offers suggestions for engaging with fragmentary pasts
Archaeology · Art · Art history · Epistemology · German · Historiography · Linguistics · Meaning (existential · Memorialization · Metaphor · Political science · Sociology · Weimar Republic · Communism, Protests, Social Movements · European history and politics · German History and Society · History · Law · Philosophy
| Highly cited | No |
|---|