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Wenceslas Looks Out

Monarchy, Locality, and the Symbolism of Power in Fourteenth-Century Bavaria

Bibliographic Data

ID9645845
AuthorsLen Scales (Durham University, corresponding author)
Year2019
Volume52
Issue02
Pages179-210
Publication date2019-06-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueCentral European History (JOURNAL)
Journal identifiersISSN: 0008-9389 • E-ISSN: 1569-1616
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0008938919000141
OpenAlexW2910753257
LanguageEN
References cited7

This article reassesses the reputation enjoyed by Charles IV of Luxemburg, emperor and king of Bohemia (r. 1346/1347–1378), as the author of a program aimed at projecting his monarchy via visual media. Current scholarship, which stresses the centrally directed character of this program, regards it as serving clear political goals, as “propaganda” to unify Charles's far-flung territories. This article challenges that view. It contends that a straightforward political purpose is often less detectable than usually claimed, and the political “success” of Caroline image-making easily overstated. Above all, it argues for the necessity of decentering Caroline visual culture by stepping away from the familiar focus on the Prague court, to explore instead provincial viewpoints. Focusing on northeastern Bavaria, it shows that local examples of Caroline imagery are often best understood not as impositions from the “center,” but rather as products of interactions between court and locality, through which local perspectives and interests also found expression

Ancient history · Art · Character (mathematics · Emperor · Focus (optics · Linguistics · Locality · Monarchy · Political science · Politics · Power (physics · Reputation · Scholarship · Sociology · Viewpoints · Visual arts · Historical Geopolitical and Social Dynamics · Historical Influence and Diplomacy · History · Law · Philosophy · Reformation and Early Modern Christianity

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Citation velocityhistorical
Highly citedNo

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