Elision of Atque in Roman Poetry

Every reader of Roman poetry must be struck by the fact that atque is so much more frequently elided than left unelided; and that the rarity of unelided atque is not—a matter of chance may be seen from a comparison between the poets' treatment of this word and that of others of a similar metrical structure: i.e. disyllables beginning with an open long vowel and terminating with an open short one. Such words ending in - que or - ě (utque, inque, ipse, ante, ire, ecce , and the like) are common enough in Roman poetry and are, particularly in elegiac verse, more often found unelided than elided. It would be a waste of time to give figures for them all, but those for ille may be cited as an example. In Virgil, Aen. 1 and 2 the proportion of unelided to elided ille is 57 per cent, to 43 per cent.; in Catullus' hexameters 50 per cent, to 50 per cent.; in his lyrics 75 per cent, to 25 per cent. In his elegiacs there are 3 unelided to none elided. In Ovid's Met. the proportion is 83 per cent, unelided to 17 per cent, elided; in his Ars Am. 1 and 2 84–6 per cent, to 15–4 per cent.; in his Fasti 1 and 2 97–5 per cent, to 2–5 per cent. In Tibullus 1 and 2 the proportion is 87 per cent, unelided to 13 per cent, elided; in Propertius 1 and 4 73–7 per cent, unelided to 26–3 elided

Art · Elegiac · Humanities · Literature · Poetry · Classical Antiquity Studies · History · Linguistics and language evolution

• Word-final -s in Ennius’ Annales

  Nicholas Zair•Journal of Latin Linguistics•2021

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