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We Must Call the Classics before a Court of Shipwrecked Men

Bibliographic Data

ID9677567
AuthorsW Robert Connor (corresponding author)
Year2011
Volume104
Issue4
Pages483-493
Publication date2011-06-01
Open AccessNo
TypeARTICLE
VenueThe Classical World (JOURNAL)
Journal identifiersISSN: 0009-8418 • E-ISSN: 1558-9234
PublisherProject MUSE (PUBLISHER • US)
DOI10.1353/clw.2011.0070
OpenAlexW2073401480
LanguageEN

What if we put to our texts the injunction of the Spanish intellectual Jose Ortega y Gasset—"We must call the classics before a court of shipwrecked men to answer certain peremptory questions with reference to real life"? The answer that emerges from an investigation of several literary works depicting a shipwrecked person who has access to one or more texts—Shakespeare's Tempest , Defoe's Robinson Crusoe , Stevenson's Treasure Island , and, at one point, Dante's Inferno —points to the transformative power of such texts. Ortega's own work lead to an exploration of authenticity and vocation in Vergil's Aeneid

Art · Literature · Pedagogy · Point (geometry) · Power (physics) · Sociology · Tempest · Theology · Transformative learning · Treasure · Classics · Giambattista Vico and Joyce · History · Philosophy · Spanish Philosophy and Literature · University Challenges and Reforms

Highly citedNo

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