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Valuing & Defending the Arts in Hong Kong

Bibliographic Data

ID9684769
AuthorsMette Hjort (0000-0002-9630-3609, corresponding author)
Year2024
Volume153
Issue2
Pages106-119
Publication date2024-05-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueDaedalus (JOURNAL)
Journal identifiersISSN: 0011-5266 • E-ISSN: 1548-6192
PublisherMIT Press (PUBLISHER • US)
DOI10.1162/daed_a_02068
OpenAlexW4399203686
LanguageEN
Citations received1

Focusing on a period of just over two decades (1997-2023), this essay charts how the most salient approaches to valuing and defending the arts in Hong Kong reflect the changing political circumstances of the city. I select two approaches for close analysis. Emphasizing the private and public value of the arts, the first approach reflects efforts to reinvent Hong Kong in the wake of the handover to the People's Republic of China in 1997. Influenced by significant social unrest in 2014 and 2019, and by the introduction of the National Security Law in 2020, the second approach seeks protection for the arts through collaboration with the sciences. The exceptional conditions that Hong Kong offers for meaningful arts-related work are identified to facilitate international comparisons

China · Political science · Politics · Salient · Social unrest · Sociology · The arts · Unrest · Value (mathematics · Work (physics · Cultural Industries and Urban Development · Hong Kong and Taiwan Politics · Law · Public Administration · Southeast Asian Sociopolitical Studies

  • The caring university

    Mette Hjort•Educational Philosophy and Theory•2025

Unique citing works1
Citations per year1
Citation span2025 - 2025 (1)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 1

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