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Southern Literature

A Blending of Oral, Visual & Musical Voices

Bibliographic Data

ID9685236
AuthorsWilliam Ferris (National Endowment for the Humanities, corresponding author)
Year2012
Volume141
Issue1
Pages139-153
Publication date2012-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueDaedalus (JOURNAL)
Journal identifiersISSN: 0011-5266 • E-ISSN: 1548-6192
PublisherMIT Press - Journals (PUBLISHER)
DOI10.1162/daed_a_00136
OpenAlexW2084152510
LanguageEN
References cited4

The blending of oral traditions, visual arts, and music has influenced how Southern writers shape their region's narrative voice. In the South, writing and storytelling intersect. Mark Twain introduced readers to these storytellers in “Adventures of Huckleberry Finn.” Twain blends both black and white voices within Huck's consciousness and awareness – in Huck's speech and thoughts – and in his dialogues with Jim. A narrative link exists between the South's visual artists and writers; Southern writers, after all, live in the most closely seen region in America. The spiritual, gospel, and rock and roll are musical genres that Southern writers love – although jazz, blues, and ballads might have the most influence on their work. Southern poets and scholars have produced anthologies, textbooks, and literary journals that focus on the region's narrative voice and its black and white literary traditions. Southern writers have created stories that touch the heart and populate American literature with voices of the American South. Future Southern writers will continue to embrace the region as a place where oral, visual, and musical traditions are interwoven with literature

Adventure · Art · Art history · Ballad · Blues · Jazz · Literature · Musical · Narrative · Oral tradition · Poetry · Storytelling · Visual arts · White (mutation · American Literature and Humor Studies · American Sports and Literature · History · Music History and Culture

  • The World of Tennessee Williams

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Citation velocityhistorical
Highly citedNo

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