Gestures in Slow Motion
On Making Use of Video Art in Phenomenology
Bibliographic Data
| ID | 9686946 |
|---|---|
| Authors | Alexandru Bejinariu (0000-0003-1766-0091, Alexandru Dragomir Institute for Philosophy, corresponding author) |
| Year | 2025 |
| Volume | 64 |
| Issue | 2 |
| Pages | 311-331 |
| Publication date | 2025-08-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Dialogue (JOURNAL) |
| Journal identifiers | ISSN: 0012-2173 • E-ISSN: 1759-0949 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0012217323000410 |
| OpenAlex | W4390582412 |
| Language | EN |
| References cited | 28 |
This article deals with the relevance of video art and filmic techniques for the phenomenological method by thematizing how slow-motion scenes can be used in the analysis of gestures. Drawing on Edmund Husserl's theory of image consciousness, I argue that while, for the empirical researcher, slow motion is a non-analogizing moment that helps the researcher observe the positional image subject, for the phenomenologist, it depicts a different, neutralized image subject that serves as an initial example. This approach leads to further insights revealing a specific form of disappointment of our passively constituted patterns of anticipation concerning the pace of gestural interaction
Aesthetics · Anticipation (artificial intelligence) · Cognitive psychology · Computer vision · Consciousness · Disappointment · Epistemology · Gesture · Linguistics · Motion (physics) · Pace · Phenomenology (philosophy) · Relevance (law) · Subject (documents) · Artificial Intelligence · Computer Science · Phenomenology and Existential Philosophy · Philosophy · Philosophy, Ethics, and Existentialism · Psychology · Social Psychology · Visual Culture and Art Theory
Subjectivity and Selfhood
Gesture and Thought
Gesture Visible Action as Utterance
The Address of the Eye
Husserl’s appropriation of the psychological concepts of apperception and attention
Carnal Thoughts
Erfahrung und Kategoriales Denken
Affection and attention
Where is the phenomenology of attention that Husserl intended to perform? A transcendental pragmatic-oriented description of attention
Eidetic Variation
Gesten als Okkasionelle Bedeutungserfüllungen
Eidetic intuition as physiognomics
Watching a film with others
Type and Eidos in Husserl's Late Philosophy
Edmund Husserl's Phenomenology of Habituality and Habitus
Spacing organization
Phenomenology of Gesture Between Heidegger and Flusser
Gestures as illocutionary and discourse structure markers in Southern Italian conversation
The Sensible World and the World of Expression
| Citation velocity | historical |
|---|---|
| Highly cited | No |