Percevoir l’expression émotionnelle dans les objets inanimés
L’exemple du vin
Bibliographic Data
| ID | 9687247 |
|---|---|
| Authors | Caroline Todd (0000-0002-7217-4523, Lancaster University, corresponding author), Cain Todd |
| Year | 2012 |
| Volume | 51 |
| Issue | 1 |
| Pages | 129-139 |
| Publication date | 2012-03-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Dialogue (JOURNAL) |
| Journal identifiers | ISSN: 0012-2173 • E-ISSN: 1759-0949 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0012217312000273 |
| OpenAlex | W2328995325 |
| Language | FR |
| References cited | 7 |
Amongst inanimate objects, it is generally accepted that at least some art forms, such as music and painting, are capable of being genuinely expressive of emotion, even though it is difficult to understand exactly how. In contrast, although expressive properties can be attributed to non-artworks, such as natural objects or wine, it has often been claimed that such objects cannot be genuinely expressive. Focussing on wine, I argue that once we understand properly the nature of expressiveness, if we allow that music can be expressive there is no good reason to withold the ability to be genuinely expressive from wine
Aesthetics · Art · Art history · Expression (computer science) · Natural (archaeology) · Painting · Aesthetic Perception and Analysis · Communication · Computer Science · History · Multisensory perception and integration · Olfactory and Sensory Function Studies · Psychology
| Citation velocity | historical |
|---|---|
| Highly cited | No |