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The Theory of The Theory of the Arts

Bibliographic Data

ID9687644
AuthorsRoger A Shiner (0000-0003-0726-5629, University of Alberta, corresponding author)
Year1986
Volume25
Issue3
Pages533-546
Publication date1986-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueDialogue (JOURNAL)
Journal identifiersISSN: 0012-2173 • E-ISSN: 1759-0949
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s001221730002093x
OpenAlexW2115851584
LanguageEN
References cited2

One stands in awe of this book, and of its display of erudition, acumen, wit, elegance, taste, and uninhibited failure to suffer fools gladly. Michael Tanner in lectures at Cambridge in 1961 remarked of the then recently published Aesthetics by Monroe Beardsley that in a sense one did not need any other book in aesthetics. Now, one will be sorely tempted to say exactly the same thing about TTTA . The claim would in either case be a mistake. To understand, however, the reason why in either case the claim would be a mistake, and to understand why it would in the case of Sparshott's book be a mistake for a reason very different from that for which it would in the case of Beardsley's book be a mistake, will be to understand Sparshott's consummate and unrepeata-ble achievement in TTTA . I shall return to this topic explicitly at the end of this review, though implicitly I shall never leave it

Aesthetics · Art · Elegance · Epistemology · Mistake · Political science · Taste · The arts · Visual arts · Aesthetic Perception and Analysis · Art History and Market Analysis · Law · Philosophy · Psychology · Visual Culture and Art Theory

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    Francis Sparshott, Francis Edward Sparshott•Theory of the Arts•1982

  • Philosophy and Psycho-Analysis

    John Wisdom•The Philosophical Quarterly•1953

Citation velocityhistorical
Highly citedNo

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