Intention and the Achievement of the Artist
Bibliographic Data
| ID | 9688324 |
|---|---|
| Authors | Geoffrey Payzant (University of Toronto, corresponding author) |
| Year | 1964 |
| Volume | 3 |
| Issue | 2 |
| Pages | 153-159 |
| Publication date | 1964-09-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Dialogue (JOURNAL) |
| Journal identifiers | ISSN: 0012-2173 • E-ISSN: 1759-0949 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0012217300044681 |
| OpenAlex | W2038671777 |
| Language | EN |
| Citations received | 1 |
| References cited | 1 |
There are three kinds of aesthetical theory in which it would have to be admitted that the intentions of the artist are of almost no significance
Aesthetics · Art · Visual arts · Aesthetic Perception and Analysis · Psychology
| Citations per year | 0.02 |
|---|---|
| Citation span | 1983 - 1983 (1) |
| Highly cited | No |