Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Diffusion and Syncretism

The Modern Jazz Tradition

Bibliographic Data

ID9760945
AuthorsP Lopes (0000-0003-2920-4464, Tufts University, corresponding author)
Year1999
Volume566
Issue1
Pages25-36
Publication date1999-11-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueThe Annals of the American Academy of Political and Social Science (JOURNAL)
Journal identifiersISSN: 0002-7162 • E-ISSN: 1552-3349
PublisherSAGE Publications (PUBLISHER • US)
DOI10.1177/0002716299566001003
OpenAlexW4235060852
LanguageEN
Citations received9
References cited5

This article presents an analysis of the musical syncretism involved in the development of a modern jazz tradition in the United States in the first half of the twentieth century. It shows how a professional ethos among popular musicians during this period guided their reinterpretation and reinvention of folk, popular, and classical music practices in the creation of this music tradition. It further argues that this ethos led them, in their low-status positions as popular musicians, to affirm their legitimacy through the creation of a high-art aesthetic. In general, this study shows how the social context in the diffusion of jazz practices affected the transformation of these practices in value and form in this century

Aesthetics · Art · Art history · Context (archaeology · Diffusion · Epistemology · Ethos · Jazz · Legitimacy · Linguistics · Literature · Musical · Period (music · Physics · Political science · Politics · Popular music · Reinterpretation · Sociology · Syncretism (linguistics · Value (mathematics · Visual arts · Diverse Music Education Insights · History · Law · Music History and Culture · Musicology and Musical Analysis · Philosophy · Theater, Performance, and Music History

  • Made to Fit

    SHAHZAD M ANSARI, Peer C Fiss et al.•Academy of Management Review•2010

  • The Rise of a Jazz Art World

    Open Access•P Lopes•The Rise of a Jazz Art World•2002

  • Quando há artificação

    Open Access•Roberta Shapiro, N Heinich•Sociedade e Estado•2013

  • The heroic age of American avant-garde art

    Open Access•P Lopes•Theory and Society•2015

  • Music and Islam in the Saharawi refugee camps of the Hamada desert, Algeria

    Luis Gimenez Amoros•Muziki•2016

  • The Artification of Tattoo

    Open Access•Mary Kosut•Cultural Sociology•2014

  • The black Atlantic

    Paul Gilroy•The black Atlantic•1993

  • Highbrow/Lowbrow

    Lawrence W Levine, Lawrence Levine•Highbrow/Lowbrow•1988

  • Studying popular music

    Richard Middleton•Studying popular music•1990

  • Cultural entrepreneurship in nineteenth-century Boston

    Open Access•P Dimaggio•Media Culture & Society•1982

  • Popular Musics of the Non-Western World

    David B Coplan, Peter Manuel•Ethnomusicology•1990

Unique citing works6
Citations per year0.38
Citation span2002 - 2016 (15)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 9

Tools

Open DOISci-Hub
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae