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Byzantine Dress

Representations of Secular Dress in Eighth- to Twelfth-Century Painting

Bibliographic Data

ID9804613
AuthorsRachel Morris (0000-0001-9451-6857, University of York, corresponding author)
Year2007
Volume122
Issue496
Pages519-520
Publication date2007-04-01
Open AccessNo
TypeARTICLE
VenueThe English Historical Review (JOURNAL)
Journal identifiersISSN: 0013-8266 • E-ISSN: 1477-4534
PublisherOxford University Press (PUBLISHER • GB)
DOI10.1093/ehr/cem037
OpenAlexW2059044108
LanguageEN
Citations received1

Jennifer Ball's short introductory study of Middle Byzantine dress ought to have been a volume that could happily have been recommended to students as an introduction to this fascinating topic. She analyses the imperial and court dress and regalia of the period and makes brave efforts to match the vocabulary of the written sources with the items of clothing portrayed on mosaics and in illuminated manuscripts. She suggests that the borderlands of the Empire provided ‘fashion centres’ from which new clothing styles (Islamic-influenced tiraz bands and turbans from the eastern provinces, or ‘sleek Western dresses’ from Kastoria, for instance) spread to the capital, and postulates a provincial elite which had both the money and the desire to spend it on garments which they did not in the least view as ethnic identifiers. The rigid dress ‘signifiers’ of the court, the upholder of ‘Roman-ness’, thus stood, she maintains, in stark contrast

Aesthetics · Ancient history · Archaeology · Art · Art history · Byzantine architecture · Clothing · Elite · Empire · Islam · Painting · Period (music · Political science · Politics · Visual arts · Byzantine Studies and History · Eurasian Exchange Networks · Historical and Religious Studies of Rome · History · Law

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Citations per year0.33
Citation span2023 - 2023 (1)
Highly citedNo

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