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History trapped into eternity

Kinesis and stasis in The Leopard

Bibliographic Data

ID9815348
AuthorsFrancesca Arnavas (0000-0002-7876-8015, University of Tartu, Estonia, corresponding author)
Year2021
Volume55
Issue3
Pages825-849
Publication date2021-11-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueForum Italicum A Journal of Italian Studies (JOURNAL)
Journal identifiersISSN: 0014-5858 • E-ISSN: 2168-989X
PublisherSAGE Publications (PUBLISHER • US)
DOI10.1177/0014585820988512
OpenAlexW3136398120
LanguageEN
Citations received2
References cited6

The complex and often paradoxical representation of time and history in Giuseppe Tomasi di Lampedusa’s The Leopard has its roots in an existential vision which is charged with different meanings and shadowed by a dark pessimism. In order to convey his peculiar perspective, Lampedusa uses specific narrative techniques, transforming earthly elements into eternal symbols. In turn, Luchino Visconti, in his movie adaptation of the novel, translates these multi-layered symbols into visual representations, emphasising some of them more than others, and giving even more substance to the material as a vehicle of complex, theoretical reflections. The analysis of the emblematic role of landscape, interiors, objects and animals in The Leopard, both in the written approach and the visual re-interpretation, offers new insights into a novel and a movie which have always divided critics, who have alternatively considered them a celebration of immobilism or a faithful historical depiction

Aesthetics · Art · Art history · Depiction · Epistemology · Eternity · Existentialism · Interpretation (philosophy · Leopard · Linguistics · Literature · Narrative · Pessimism · Representation (politics · History · Italian Fascism and Post-war Society · Italian Literature and Culture · Philosophy · Visual Culture and Art Theory

  • Thresholds of meaning

    Open Access•Rodrigo Escribano Roca•Rethinking History•2026

  • Gattopardismo come darwinismo sociale

    Chiara Barni•Italica•2023

  • Filmmaking by the Book

    Peter Bondanella, Millicent Marcus•Modern Language Notes•1993

  • The Last Leopard

    Elio Zappulla, David Gilmour•Italica•1993

  • Journal of Mediterranean Studies

    J Davis•Man•1992

Unique citing works2
Citations per year0,67
Citation span2023 - 2026 (4)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 2

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