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Italian ghetto stories

Toward a transnational literary history

Bibliographic Data

ID9816109
AuthorsSaskia Elizabeth Ziolkowski (Romance Studies, Duke University, Durham, NC, USA, corresponding author)
Year2023
Volume57
Issue2
Pages579-611
Publication date2023-08-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueForum Italicum A Journal of Italian Studies (JOURNAL)
Journal identifiersISSN: 0014-5858 • E-ISSN: 2168-989X
PublisherSAGE Publications (PUBLISHER • US)
DOI10.1177/00145858231172781
OpenAlexW4379143040
LanguageEN
References cited48

This article examines Italian ghetto stories, which are distinguished by confusions of time, continuities, tourism, reflections on collective identities, and movements in and out, in order to outline one potential literary history. In contrast to German-language and Anglophone literary ghettos, Italian ones are generally absent as a critical category from literary debates, though they appear in works by Leon Modena, Israel Zangwill, Rainer Maria Rilke, Umberto Saba, Giorgio Bassani, Elsa Morante, Caryl Phillips, and Igiaba Scego, among others. A transnational approach can bring together works that have not been considered collectively because of disciplinary formations. Italian ghetto fictions expose the disheartening continuities of prejudice and, relatedly, have generally not been considered together because of restrictive ideas about the nation as an organizing principle

Aesthetics · Art · Discipline · German · History of literature · Literature · Order (exchange · Political science · Prejudice (legal term · Social science · Sociology · Anarchism and Radical Politics · German Colonialism and Identity Studies · History · Italian Fascism and Post-war Society · Law

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Citation velocityhistorical
Highly citedNo

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