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Sull’umiltà nella Commedia

Bibliographic Data

ID9816150
AuthorsPaolo Cherchi (University of Chicago, USA – Università di Ferrara, Italia, corresponding author)
Year2021
Volume55
Issue2
Pages316-335
Publication date2021-08-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueForum Italicum A Journal of Italian Studies (JOURNAL)
Journal identifiersISSN: 0014-5858 • E-ISSN: 2168-989X
PublisherSAGE Publications (PUBLISHER • US)
DOI10.1177/00145858211022608
OpenAlexW3180380719
LanguageIT

Dante deals specifically with the theme of humility only in the canto of the superbs ( Purgatory, X–XII). Still, the topic permeates the entire poem, from the moment Vergil invites Dante to follow him. Obedience is the predominant form that humility takes in Inferno. In Purgatory, it determines the choral forms of the language (prayer and singing), but it manifests itself most spectacularly in the Earthly Paradise procession, which takes the shape of a Cross, the highest symbol of humility in Christ and of Christianity. In Paradise, it is present in some key episodes (that of Cato, of St. Francis, and Dante’s theological exam). Yet, it is continuously signified in the language of image-symbols’ configuration that the blessed souls take in each heaven. Finally, it is humility that allows the Pilgrim to see God with his physical senses, which provide the lowest and most concrete form of knowledge, and yet the most sublime one

Art · Art history · Heaven · Humility · Literature · Paradise · Pilgrim · Poetry · Prayer · Procession · Purgatory · SAINT · Symbol (formal · Theme (computing · Theology · Worship · Historical and Religious Studies of Rome · Philosophy · Religious, Philosophical, and Educational Studies · Renaissance and Early Modern Studies

Citation velocityhistorical
Highly citedNo

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