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Italy from without

An introduction

Bibliographic Data

ID9817355
AuthorsGiuseppe Gazzola (Stony Brook University, corresponding author)
Year2013
Volume47
Issue2
Pages237-245
Publication date2013-08-01
Open AccessYes
TypeARTICLE
VenueForum Italicum A Journal of Italian Studies (JOURNAL)
Journal identifiersISSN: 0014-5858 • E-ISSN: 2168-989X
PublisherSAGE Publications (PUBLISHER • US)
DOI10.1177/0014585813496696
OpenAlexW2048893719
LanguageEN
Citations received2
References cited2

There is no doubt that current debates on Italian national identity, and on the meaning of Italian history, are very lively; of late, these discussions have been very effective in questioning the many cliches and established paradigms concerning nationalism and nation-building. But it is equally true that reflections on Italian national identity have, over time, been mired in a narrow internalist perspective that has neglected the larger historical and geopolitical processes which shaped the emergence of the nation before and during the first 150 years of its existence. It is only recently that scholars interested in the many aspects of Italian nationalism have begun to account for the international dimensions of Italy’s creation. Indeed, if our idea of the Italian nation is ‘a cultural artifact of a particular kind,’ as Benedict Anderson defines it (encouraging us to look at the concept of national identity not as an inherited or inevitable happenstance, but as a deliberate and artificial creation linked to the emergence of a new ruling elite), we need to expand our critical field to ask how such a cultural artifact has been created from both inside and outside the geographical and conceptual borders of the nation. However, attention to the European – indeed global – aspects of the Italian nation has not always been central to nationalist expressions, celebrations, histories and historical reconstructions of the Risorgimento, which have generally focused on the fight for unification and the figure of proverbial and quintessentially Italian heroes, Garibaldi above all. This is perhaps hardly surprising, since the process of Italian unification was, in significant part, a battle against attempts by competing external interests to intervene in and control the peninsula. The history of the Italian Risorgimento has consequently been constructed as fundamentally a history from within, one founded on a myth of an essential Italianita, that binds together the diverse communities of the region to produce an integral national whole. This belief in the existence of an ancient Italianita, understood as a historical entity shaped by the native populations of the peninsula through successive generations, was the presupposition shared by all the patriots of the Risorgimento; it served to affirm the right of Italians to a unified state that was independent, sovereign

Aesthetics · Art · Elite · Epistemology · Geopolitics · Identity (music · Meaning (existential · National identity · Nationalism · Political economy · Political science · Politics · Sociology · Central European national history · Historical Geopolitical and Social Dynamics · History · Italian Fascism and Post-war Society · Law · Philosophy

  • Ambassadors of Italy

    Marta Averna•Italian American Review•2024

  • The Ends Of an Empire

    Saskia Elizabeth Ziolkowski•Comparative Literature Studies•2015

  • Risorgimento in Exile

    Maurizio Isabella•Risorgimento in exile•2009

  • Nations and Nationalism

    Howard Wollman, Philip J Spencer et al.•Nations and Nationalism•2019

Citations per year0.18
Citation span2015 - 2024 (10)
Highly citedNo

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