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The Abandoned Victim

Cosmology and History in Christoph Ransmayr and Anselm Kiefer

Bibliographic Data

ID9852223
AuthorsFatima Naqvi (0009-0000-0639-5021, corresponding author)
Year2004
Volume57
Issue2
Pages219-235
Publication date2004-04-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueGerman Life and Letters (JOURNAL)
Journal identifiersISSN: 0016-8777 • E-ISSN: 1468-0483
PublisherWiley (PUBLISHER • GB)
DOI10.1111/j.0016-8777.2004.0281.x
OpenAlexW2130268742
LanguageEN
References cited1

This article discusses the role of victimhood in Christoph Ransmayr's apocalyptic œuvre . It draws on Ransmayr's essay on Anselm Kiefer, ‘Der Ungeborene’ (2001), and on a seminal early text, Strahlender Untergang (1982), to do so. Strahlender Untergang , in particular, considers man's double status as victimiser of his surroundings and as victim of a malevolent universe. The dialectic which man's instrumental rationality engenders is ultimately sublated in a victim myth of cosmic proportions: mankind cannot counter the entropic, destructive forces already at work in the universe. As death becomes the ultimate signifier of man's individuality and the only moment which bestows meaning on life, all historicity is erased. The text exculpates humanity from guilt for its destructive ways and envisions redemption through mystical wholeness

Aesthetics · Astronomy · Dialectic · Epistemology · Historicity (philosophy · Humanity · Meaning (existential · Mysticism · Mythology · Physics · Theology · Universe · Law · Literature and Cultural Memory · Philosophy · Psychoanalysis and Social Critique · Violence, Religion, and Philosophy

  • The Deukalion and Pyrrha Myth in Paul Celan and Christoph Ransmayr

    Open Access•Scott G Williams•German Life and Letters•2003

Citation velocityhistorical
Highly citedNo

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