Lost at Sea

This article explores the depiction of the sailor and the conflict between bourgeois life and its fluid ‘other’ in Theodor Storm's novella ‘Hans und Heinz Kirch’ (1883). The analysis brings together spatial theory, in particular Deleuze and Guattari's understanding of ‘smooth’ and ‘striated’ spaces, and reception aesthetics. Next to the ‘smooth’, fluid border of the ocean, the article identifies other in‐between areas which play a central role in the novella as spheres of negotiating story and identity: the sailor's skin as the border between self and other; and the omissions of language and narration. It argues that the many ‘Leerstellen’ of the text correspond to the openness of the sea and open up to a ‘travelling’ reading. Readers are invited to actively explore the open spaces and ambiguities of the text and thus contribute to the production of meaning. Placing Storm's novella in the context of maritime modernity and regarding correspondences between the narrative discourse and the conflict between ‘smooth’ and ‘striated’ space, this article offers a new perspective on Storm

Aesthetics · Art history · Epistemology · Geography · Identity (music · Meteorology · Modernity · Negotiation · Political science · Storm · German Colonialism and Identity Studies · German Literature and Culture Studies · History · Law · Philosophy · Travel Writing and Literature