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Post‐1990 Screen Memories

How East and West German Cinema Remembers the Third Reich and the Holocaust

Bibliographic Data

ID9853002
AuthorsDaniela Berghahn (0000-0001-5672-4743, corresponding author)
Year2006
Volume59
Issue2
Pages294-308
Publication date2006-04-01
Open AccessYes
TypeARTICLE
VenueGerman Life and Letters (JOURNAL)
Journal identifiersISSN: 0016-8777 • E-ISSN: 1468-0483
PublisherWiley (PUBLISHER • GB)
DOI10.1111/j.0016-8777.2006.00351.x
OpenAlexW2069591116
LanguageEN
Citations received2
References cited4

The following article examines the contribution of German feature films about the Third Reich and the Holocaust to memory discourse in the wake of German unification. A comparison between East and West German films made since the 1990s reveals some startling asymmetries and polarities. While East German film‐makers, if they continued to work in Germany's reunified film industry at all, made very few films about the Third Reich, West German directors took advantage of the recent memory boom. Whereas films made by East German directors, such as Erster Verlust and Der Fall Ö , suggest, in liberating contradiction to the anti‐fascist interpretation of history, that East Germany shared the burden of guilt, West German productions subscribe to the normalisation discourse that has gained ideological hegemony in the East‐West‐German memory contest since unification. Films such as Aimée & Jaguar and Rosenstraße construct a memory of the past that is no longer encumbered by guilt, principally because the relationship between Germans and Jews is re‐imagined as one of solidarity. As post‐memory films, they take liberties with the traumatic memory of the past and, by following the generic conventions of melodrama, family saga and European heritage cinema, even lend it popular appeal

Archaeology · Art · Art history · Collective memory · German · Hegemony · Ideology · Movie theater · Nazi Germany · Political science · Politics · Sociology · Solidarity · The Holocaust · European history and politics · German History and Society · History · Italian Fascism and Post-war Society · Law

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    Open Access•Muriel Cormican•The German Quarterly•2014

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    Elżbieta Ostrowska•Holocaust and Genocide Studies•2015

  • Twilight Memories

    Andreas Huyssen•Twilight Memories•2012

  • "Rescreening "The Holocaust

    David Bathrick•New German Critique•2000

  • On the Disappearance of the Dead among the Living

    Gertrud Koch, Jeremy Gaines•New German Critique•1993

  • Reframing the Past

    Lutz Koepnick•New German Critique•2002

Citations per year0.17
Citation span2014 - 2015 (2)
Highly citedNo

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