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Hermann Nitsch – Austria in the Age of Post‐scandalous Culture

Bibliographic Data

ID9853044
AuthorsAdrian Daub (Stanford University, corresponding author)
Year2014
Volume67
Issue2
Pages260-278
Publication date2014-04-01
Open AccessYes
TypeARTICLE
VenueGerman Life and Letters (JOURNAL)
Journal identifiersISSN: 0016-8777 • E-ISSN: 1468-0483
PublisherWiley (PUBLISHER • GB)
DOI10.1111/glal.12042
OpenAlexW1827343261
LanguageEN

This article uses the Austrian reception history of the Viennese Actionist Hermann Nitsch to investigate the changing function and structure of cultural scandal in Austria. Like many fellow artists, Nitsch became famous for his rejection of the Austrian state and its institutions, and was rejected by them in turn. Press, police and the federal government waged a series of pitched battles against the so‐called Actionists. Today these same institutions have come to embrace Nitsch's art, but it attracts an entirely different kind of scandal. It is today used to turn the state apparatus itself into a scandal, and ultimately provides a way for the Austrian far right (FPÖ and BZÖ) to articulate their complicated and contradictory relationship to state power

Art · Biology · Function (biology · Government (linguistics · Linguistics · Literature · Physics · Political science · Power (physics · Sociology · State (computer science · Central European national history · Eastern European Communism and Reforms · European history and politics · History · Law · Mathematics · Philosophy

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