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The Ethics of Post‐Holocaust Art

Reflections on Redemption and Representation

Bibliographic Data

ID9853263
AuthorsM Cooke (0000-0002-3168-4375, corresponding author)
Year2006
Volume59
Issue2
Pages266-279
Publication date2006-04-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueGerman Life and Letters (JOURNAL)
Journal identifiersISSN: 0016-8777 • E-ISSN: 1468-0483
PublisherWiley (PUBLISHER • GB)
DOI10.1111/j.0016-8777.2006.00349.x
OpenAlexW2072667123
LanguageEN
Citations received2
References cited3

The article deals with ethical questions relating to artistic responses to catastrophe. Its starting point is James E. Young's thesis that post‐Holocaust art must renounce the traditional redemptory promises of art. Against this, drawing on the work of Theodor W. Adorno, it makes the case for art's redemptory dimension. Whereas Young and Adorno disagree with regard to the idea of redemption, they agree in their approval of a certain kind of negative aesthetics. Both writers advocate particular kinds of art as the ethically most appropriate response to catastrophe. The article raises questions concerning the ethical dimension of the kinds of art they advocate. In addition, it warns against hypostasising just one kind of art as the only ethically valid response to catastrophe. Finally, it argues that representational works of art are also important since they offer a particular ethical perspective that can stimulate reflection and debate

Aesthetics · Art · Art history · Contemporary art · Dimension (graph theory · Epistemology · Performance art · Perspective (graphical · Political science · Politics · Representation (politics · Sociology · The Holocaust · Theology · Visual arts · Work of art · Ethics, Aesthetics, and Art · Hannah Arendt's Political Philosophy · Law · Philosophy · Philosophy, Ethics, and Existentialism

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Unique citing works2
Citations per year0,13
Citation span2011 - 2014 (4)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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