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Poetics of the ‘Gruppenbild’

The Fictions of Vladimir Vertlib 1

Bibliographic Data

ID9854499
AuthorsBrigid Haines (Swansea University, corresponding author)
Year2009
Volume62
Issue2
Pages233-244
Publication date2009-04-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueGerman Life and Letters (JOURNAL)
Journal identifiersISSN: 0016-8777 • E-ISSN: 1468-0483
PublisherWiley (PUBLISHER • GB)
DOI10.1111/j.1468-0483.2009.01459.x
OpenAlexW2167336119
LanguageEN
Citations received1
References cited1

Taking as its starting point Vladimir Vertlib's noted ability to cross borders and represent otherness in his writing, the article examines this Russian‐Austrian‐Jewish author's use of narrative form in all his work to date. While his deceptively conventional realist narratives achieve provisional closure at the level of plot, they are structured so as to juxtapose voices, times and modes in a way which probes, but does not resolve, a range of contemporary problems. These concern migration (in Abschiebung and Zwischenstationen ), memory, remembrance and twentieth‐century European history (in Das besondere Gedächtnis der Rosa Masur ), Jewish identities and the negative German‐Jewish symbiosis (in Letzter Wunsch ), and the remembrance of the Third Reich in central Europe (in Mein erster Mörder and ... und alle Toten starben friedlich ...). Close readings reveal Vertlib's increasing integration into Austrian culture, while stressing the global import of his dialogism and border crossings

Archaeology · Art · Art history · German · Humanities · Judaism · Literature · Narrative · Poetics · Poetry · Theology · German History and Society · German legal, social, and political studies · History · Literature and Cultural Memory · Philosophy

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Unique citing works1
Citations per year0,07
Citation span2012 - 2012 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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