Der Kobold Der Erotischen Ironie – Platon‐lektüren Mit Thomas Mann
Bibliographic Data
| ID | 9854532 |
|---|---|
| Authors | Mathias Mayer (0000-0003-4366-9188, University of Augsburg, corresponding author) |
| Year | 2020 |
| Volume | 73 |
| Issue | 4 |
| Pages | 621-641 |
| Publication date | 2020-10-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | German Life and Letters (JOURNAL) |
| Journal identifiers | ISSN: 0016-8777 • E-ISSN: 1468-0483 |
| Publisher | Wiley (PUBLISHER • GB) |
| DOI | 10.1111/glal.12285 |
| OpenAlex | W3135479039 |
| Language | DE |
Thomas Mann offers us a number of perspectives on Plato that so far have never been adequately described. For Mann, the artist seems to be a ʻplatonic natureʼ– not in the sense of asexual love, but as a constellation of creativity and homosexuality. Mann uses the key concept of ʻerotic ironyʼ as a kind of formula determined by Plato's philosophy of love as set out in the Symposium and Phaedrus . He was familiar with these works in the translations by Rudolf Kassner – and this means, in turn, that Mannʼs essay on Schopenhauer must also be seen in a new light
Art · Art history · Irony · Literature · Passion · Psychoanalysis · German Literature and Culture Studies · Nietzsche, Schopenhauer, and Hegel · Philosophy · Philosophy and Historical Thought · Psychology
| Highly cited | No |
|---|