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Nonsense, wherein there is Method”

Wittgenstein on Music and Language

Bibliographic Data

ID9854670
AuthorsRoss Shields (Columbia University, Germanic Languages, New York, USA, corresponding author)
Year2018
Volume93
Issue4
Pages394-413
Publication date2018-10-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueThe Germanic Review Literature Culture Theory (JOURNAL)
Journal identifiersISSN: 0016-8890 • E-ISSN: 1930-6962
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/00168890.2018.1507994
OpenAlexW2924408458
LanguageEN
References cited17

According to Ludwig Wittgenstein’s Tractatus logico-philosophicus, the form shared by language and the world cannot be said through language, but rather shows itself in language. This statement has posed a major obstacle to interpretations of the book: if the form shared by language and the world cannot be said through language, then how can Wittgenstein say (through language) anything about that form—including that it cannot be said but shows itself? It is this paradox that lends his ‘sound figure’ its importance: “The gramophone record, the musical thought, the score, the waves of sound, all stand to one another in that pictorial internal relation, which holds between language and the world” (4.014). Wittgenstein’s gramophone analogy seems to provide an intuition of the form shared by language and the world. It seems to show what the Tractatus cannot say. I will argue—with reference to Carolyn Abbate’s critique of musical hermeneutics and the theosophical doctrine of thought-forms—that this is not the case, but that the analogy does show something about how figurative language can both create and dispel philosophical confusion

Analogy · Art · Doctrine · Epistemology · Intuition · Linguistics · Literature · Musical · Nonsense · On Language · Statement (logic · Theology · Historical Linguistics and Language Studies · Musicology and Musical Analysis · Philosophy · Wittgensteinian philosophy and applications

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    Alice Crary, Rupert Read•New Wittgenstein•2002

  • Pictures of sounds

    Open Access•Susan G Sterrett•Studies in History and Philosophy…•2005

  • Music and the Ineffable

    Vladimir Jankélévitch, Carolyn Abbate•Music and the Ineffable•2003

  • Doing Logic with a Hammer

    Martin Puchner•Journal of the History of Ideas•2005

  • Tractatus Logico-Philosophicus

    David Rozema, David B Rozema•Journal of the History of Ideas•2002

  • Seven Prolegomenae to a Brief Treatise on Magrittian Tropes

    Jean Clair•October•1979

  • Music-Drastic or Gnostic

    Carolyn Abbate•Critical Inquiry•2004

Citation velocityhistorical
Highly citedNo

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