The Life of Galileo

NotesHarold Hobson, (The Sunday Times June 19, 1960), cited in Ronald Gray, Bertolt Brecht (New York, 1961), p. 86.Bertolt Brecht, “The Author's Notes on The Life of Galileo,” The Life of Galileo, trans. Desmond Vesey (London, 1963), p. 14.William Empson, Seven Types of Ambiguity, 3rd ed. (New York, 1955), p. 255.I. A. Richards, Principles of Literary Criticism (New York, 1925), pp. 245–246.James Smith cited in Empson, Seven Types of Ambiguity, p. xii.“A Short Organum for the Theatre,” Brecht on Theatre, trans. John Willett (London, 1964), p. 190.“Alienation Effects in Chinese Acting,” Brecht on Theatre, p. 94.Martin Esslin, Brecht: The Man and His Work (New York, 1961), p. 229.Esslin, p. 233.Walter H. Sokel, “Brecht's Split Characters and His Sense of the Tragic,” Brecht: A Collection of Critical Essays, ed. Peter Demetz (Prentice Hall, 1962), p. 127.Allen Tate, On the Limits of Poetry (New York, 1948), p. 83.Ernst Kris, Psychoanalytic Explorations in Art (New York, 1952), p. 256.Gunter Rohrmoser, “Brecht's Galileo,” trans. J. F. Sammons, Brecht: A Collection of Critical Essays, p. 117.“The Author's Notes on The Life of Galileo,” The Life of Galileo, p. 8.This quotation and all further quotations from the text of the play are in the language of the Charles Laughton translation of the play included in Seven Plays of Bertolt Brecht, ed. Eric Bentley (New York, 1961). The individual quotations will not be footnoted.“The Author's Notes on The Life of Galileo,” The Life of Galileo, p. 14.Rohrmoser, p. 117.Rohrmoser, p. 120.“A Short Organum for the Theatre,” pp. 198–199.“A Short Organum,” p. 200

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