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Critical Storytelling and Diabolical Dialectics

Alexander Kluge and the Devil's Blind Spots

Bibliographic Data

ID9854924
AuthorsMatthew Miller (0000-0002-3267-6510), Matthew D Miller (0009-0004-4063-681X, Colgate University, corresponding author)
Year2010
Volume85
Issue4
Pages318-339
Publication date2010-09-30
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueThe Germanic Review Literature Culture Theory (JOURNAL)
Journal identifiersISSN: 0016-8890 • E-ISSN: 1930-6962
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/00168890.2010.513661
OpenAlexW2050102375
LanguageEN
References cited8

Does dialectical method induce clairvoyance or blindness? Alexander Kluge's Die Lücke, die der Teufel läßt probes this question by exploring the theoretical interests of the Frankfurt School on literary terrain. In his experimental storytelling, Kluge suggestively and playfully deploys the devil as an unlikely ally of enlightenment. This enables him to redress the relationship of enlightenment to contingency and its blind spots as well as investigate the spaces of human action at the beginning of the twenty-first century. A diabolical dialectics of the kind found in Kluge's short prose texts proves adequate to the spatiotemporal complexities of the new century's power constellations. In his transformation and expansion of the lessons of his Frankfurt teachers, Kluge reorganizes the architecture of Frankfurt School dialectics along spatial coordinates. This article demonstrates Kluge's narrative spatialization of dialectics by addressing Die Lücke, die der Teufel läßt's strategic constellations of devil tales, analyzing selected stories in detail and providing an account of Kluge's use of the chiasmus

Art · Art history · Constellation · Contingency · Dialectic · Enlightenment · Epistemology · Literature · Narrative · Narratology · Sociology · Storytelling · German Literature and Culture Studies · Literature and Cultural Memory · Philosophy · Philosophy and Historical Thought

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Citation velocityhistorical
Highly citedNo

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