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Malte Ludens

Humor, Satire, Irony, and Deeper Significance in Rilke's Novel

Bibliographic Data

ID9855052
AuthorsUlf Zimmerman (Kennesaw State University, corresponding author)
Year1993
Volume68
Issue2
Pages50-59
Publication date1993-04-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueThe Germanic Review Literature Culture Theory (JOURNAL)
Journal identifiersISSN: 0016-8890 • E-ISSN: 1930-6962
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/00168890.1993.9938064
OpenAlexW2095858565
LanguageEN
Citations received1

The strong supporting role of humor, satire, and irony in the work of Rainer Maria Rilke has not received the attention it warrants. A rare essay on "Rilke's Humor" by Eudo C. Mason succinctly assesses the critical situation: "Rilke wird mesitens als ein Dicher angesehen, der ganz ohne Humor ist oder als einer, bei dem der Humor höchst eine bloß private, nebensächliche Rolle spielt und für die große schöpferische Leistung belangos bleibt." Mason urges critics to reexamine Rilke's writings more closely with an eye to their neglected humorous aspects. Such a reexamination seems all the more in order when one reviews the substantial role various forms of humor have played in the shaping of modern literature. These forms range, for example, to name on the most prominent exponents, from the satire of Oscar Wilde and the irony of Thomas Mann to the absurd casuistry of Franz Kafka and the black humor of Samuel Beckett. Even more important in the case of Rilke's Die Aufzeichnungen des Malte Laurids Brigge is the deeper structural role of humor, satire, and irony, which I shall examine here

Art · Irony · Literature · German Literature and Culture Studies · Linguistic research and analysis · Literature and Cultural Memory · Philosophy

  • Quién es Malte Laurids Brigge

    Open Access•Susana Arroyo Redondo•Signa Revista de la Asociación…•2008

Unique citing works1
Citations per year0,06
Citation span2008 - 2008 (1)
Citation velocityhistorical
Highly citedNo

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