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A Bursting Zero of Unknowing

Overcoming the Paradox of Infinite Knowledge in Heinrich von Kleist's “Über das Marionettentheater” and Robert Walser's Jakob von Gunten

Bibliographic Data

ID9856926
AuthorsSamuel Frederick (0000-0001-5794-1459, Pennsylvania State University, corresponding author)
Year2013
Volume88
Issue4
Pages375-390
Publication date2013-10-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueThe Germanic Review Literature Culture Theory (JOURNAL)
Journal identifiersISSN: 0016-8890 • E-ISSN: 1930-6962
PublisherInforma UK Limited (PUBLISHER • GB)
DOI10.1080/00168890.2013.842871
OpenAlexW2088715284
LanguageEN
Citations received3

If to attain infinite knowledge is to relinquish the finite act of knowing, which necessarily divides and distinguishes, then pure knowing must be closer to a mode of unknowing. This paradox animates both Kleist's “Über das Marionettentheater” and Walser's Jakob von Gunten, each of which suggests that to access the absolute requires emptying oneself of thought so as to become like a puppet, which is no different than becoming a god. Using Kleist as an intertextual source, this article reads the “riddle” of Jakob von Gunten as an instantiation of this negative knowledge, which Walser deploys as both the philosophical and narrative engine of his novel. In analyzing the novel's rhetorical and narrative experiments, the article shows how these enact its titular figure's overcoming of the paradox of absolute knowing. Ultimately, this analysis also introduces a paradigm for reading the critical features of Walser's idiosyncratic work as a whole

Absolute (philosophy · Art · Epistemology · Linguistics · Literature · Narrative · Reading (process · Rhetorical question · Zero (linguistics · German Literature and Culture Studies · Linguistic research and analysis · Literature and Cultural Memory · Philosophy

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Unique citing works3
Citations per year0,5
Citation span2020 - 2026 (7)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 3
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