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Carpentier's Baroque Fiction

Returning Medusa's Gaze

Bibliographic Data

ID9859419
AuthorsJorge Febles, Steve Wakefield
Year2006
Volume89
Issue2
Pages312
Publication date2006-05-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueHispania (JOURNAL)
Journal identifiersISSN: 0018-2133 • E-ISSN: 2153-6414
PublisherJSTOR (PUBLISHER)
DOI10.2307/20063301
OpenAlexW2061430529
LanguageEN
Citations received1

This study focuses on one of the first novelists to introduce a version of magical realism and the neo-baroque into Latin American fiction. Original research colours eyewitness accounts of Alejo Carpentier's travels through Spain before and during the Spanish Civil War and the inspiration that he drew from the Baroque architecture he encountered there. The origins of Carpentier's uniquely 'baroque' style are found in his endeavour to create a period ambience in his historical fictions through descriptions of visual arts and architectural settings, and parodies of the literary style of Spanish Golden Age writers. Medusa's gaze is used as a metaphor for the petrifying power of the Baroque as a weapon of European dominance. By wielding the same weapon in an act of postcolonial defiance, Carpentier enabled a reassertion of Latin American culture, and laid the foundations for the 1960s 'Boom' in the Latin American novel. Este estudio versa sobre Alejo Carpentier, uno de los primeros novelistas en introducir el realismo magico y el neobarroco a la narrativa latinoamericana. Arroja nueva luz sobre las cronicas que el novelista cubano escribio sobre la arquitectura barroca - tanto le impresiono esta a Carpentier durante su estancia en Espana en la Guerra Civil que se convirtio en fuente de inspiracion constante de su obra posterior. Se investigan cuidadosamente los origenes del estilo barroco carpenteriano, visibles ademas en el ambiente de epoca creado en las ficciones historicas de Carpentier mediante descripciones de artes visuales y escenarios arquitectonicos, y por medio de una parodia del estilo del Siglo de Oro espanol. La 'mirada de Medusa' se emplea en este estudio como metafora del 'poder petrificante' del barroco, el cual funciona como simbolo de la dominacion europea. En su obra Carpentier usa este simbolo como si fuera un arma de doble filo en un acto de desafio postcolonial, asi permitiendo una reafirmacion de la cultura de America Latina, al mismo tiempo que poniendo los cimientos del Boom de la novela latinoamericana de los anos 60. Steve Wakefield is Visiting Research Fellow at the University of New South Wales, Australia

Art · Baroque · Gaze · Literature · Psychoanalysis · Literary and Philosophical Studies · Literature, Magical Realism, García Márquez · Psychology · Spanish Literature and Culture Studies

  • Carpentier, Collecting, and Lo Barroco Americano

    Charlotte Rogers•Hispania•2011

Unique citing works1
Citations per year0,07
Citation span2011 - 2011 (1)
Citation velocityhistorical
Highly citedNo

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