Visiones de estereoscopio
Paradigma de hibridación en el arte y la narrativa de la vanguardia española
Bibliographic Data
| ID | 9866095 |
|---|---|
| Authors | Roberta Johnson (0000-0001-6681-5809), María Soledad Fernández Utera |
| Year | 2003 |
| Volume | 86 |
| Issue | 3 |
| Pages | 508 |
| Publication date | 2003-09-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Hispania (JOURNAL) |
| Journal identifiers | ISSN: 0018-2133 • E-ISSN: 2153-6414 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/20062882 |
| OpenAlex | W569163798 |
| Language | EN |
This book, written in Spanish, focuses on the literary and artistic works of such avant-garde figures as Ramon Gomez de la Serna, Benjamin Jarnes, Antonio de Obregon, Juan Chabas, Rosa Chacel, Claudio de la Torre, Almada Negreiros, Maruja Mallo, Mauricio Amster, Manuel Reinoso, Diego Rivera, and Angeles Santos y Victorio Macho. It identifies the attempt to integrate conflicting epistemological, ethical, and sociopolitical categories as the organizational principle driving the avant-garde novel and art. This principle manifests itself in the avant-garde on various levels: the theory of representation, the development of the protagonist, and the concept of history
Art · Humanities · Comparative Literary Analysis and Criticism · Historical and Modern Theater Studies · Spanish Culture and Identity
| Citation velocity | historical |
|---|---|
| Highly cited | No |