Garcia Lorca and the Guitar
Bibliographic Data
| ID | 9866483 |
|---|---|
| Authors | Edward F Stanton (corresponding author) |
| Year | 1975 |
| Volume | 58 |
| Issue | 1 |
| Pages | 52 |
| Publication date | 1975-03-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Hispania (JOURNAL) |
| Journal identifiers | ISSN: 0018-2133 • E-ISSN: 2153-6414 |
| Publisher | JSTOR (PUBLISHER) |
| DOI | 10.2307/338884 |
| OpenAlex | W2324528140 |
| Language | EN |
| Citations received | 1 |
T WOULD BE SURPRISING if Federico Garcia Lorca had not shown a predilection for the guitar in his life and work: the instrument plays an essential role in the world of Andalusian music and folklore, in which the poet was immersed from an early age. His enchantment with the guitar might be said to have obeyed a racial and family inclination. One of his father's ancestors, a certain Frasquito Garcia, was a professional guitarist who emigrated to Paris, married and died there.' Lorca's father had the custom of organizing flamenco sessions at his son's natal house
Acoustics · Art · Garcia · Guitar · Humanities · Physics · Cultural and Mythological Studies · History · History of Education in Spain · Spanish Literature and Culture Studies
| Citations per year | 0.1 |
|---|---|
| Citation span | 2016 - 2016 (1) |
| Highly cited | No |