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Ekphrasis in the Age of Cervantes

Bibliographic Data

ID9869766
AuthorsE Friedman (0009-0003-1685-5003), Edward H Friedman, Frederick A De Armas (0000-0002-5582-2170)
Year2006
Volume89
Issue4
Pages873
Publication date2006-12-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueHispania (JOURNAL)
Journal identifiersISSN: 0018-2133 • E-ISSN: 2153-6414
PublisherJSTOR (PUBLISHER)
DOI10.2307/20063397
OpenAlexW2123822794
LanguageEN
Citations received6

Among the many ancient techniques that shift or become problematized during the Renaissance and the Baroque periods, this volume focuses on one in particular, that of ekphrasis. It is through the lens of experimentation with the technique of ekphrasis that we can view Cervantes' texts. Don Quixote can be studied through the constant contamination and agony between the visual and the verbal arts. This collection, then, seeks to foreground Cervantes' contributions to the tradition of ekphrasis, and utilizes this rhetorical device as synecdoche for Cervantes' innovations and transformations of art and thought during a period that has been called the Spanish Golden Age. The book renames this period as the Age of Cervantes and also seeks to show how not only Cervantes, but also his predecessors, contemporaries, and contenders viewed the relationship between the arts and particularly, the use of ekphrasis. Frederick A. De Armas is the Andrew W. Mellon Professor in Humanities and Professor of Spanish and Comparative Literature at the University of Chicago

Art · Literature · Early Modern Spanish Literature · Historical Art and Architecture Studies · Visual Culture and Art Theory

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Unique citing works6
Citations per year0,46
Citation span2013 - 2026 (14)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 2

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