Śiva or Brahma? The “Masque Court” at the Bibliothèque Nationale, Paris
Bibliographic Data
| ID | 9894093 |
|---|---|
| Authors | Harry Falk (1 Freie Universität Berlin [email protected], corresponding author) |
| Year | 2013 |
| Volume | 56 |
| Issue | 3-4 |
| Pages | 381-396 |
| Publication date | 2013-01-01 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Indo-Iranian Journal (JOURNAL) |
| Journal identifiers | ISSN: 0019-7246 • E-ISSN: 1572-8536 |
| Publisher | Walter de Gruyter GmbH (PUBLISHER • DE) |
| DOI | 10.1163/15728536-13560303 |
| OpenAlex | W2010771791 |
| Language | EN |
A number of “masks” cast in metal are known from the North-West, particularly Kashmir and Himachal Pradesh. They are not used as theatre masks, they lack openings for view or speech, and are found in temples fixed to a wall. One, found near Peshawar in Gandhara is conspicuous by its artistic beauty. It is inscribed on its lower rim; both script and style allow to date it in the middle or late Gupta period. The inscription has been read and interpreted by G. Fussman, who assumed that some of his readings would need revision. A new reading is proposed and discussed here, as it admits of two rather divergent interpretations
Aesthetics · Art · Beauty · Geometry · Inscribed figure · Linguistics · Literature · Period (music · Reading (process · Style (visual arts · Eurasian Exchange Networks · Indian and Buddhist Studies · Mathematics · Philosophy · South Asian Studies and Conflicts
| Citation velocity | historical |
|---|---|
| Highly cited | No |