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Śiva or Brahma? The “Masque Court” at the Bibliothèque Nationale, Paris

Bibliographic Data

ID9894093
AuthorsHarry Falk (1 Freie Universität Berlin [email protected], corresponding author)
Year2013
Volume56
Issue3-4
Pages381-396
Publication date2013-01-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueIndo-Iranian Journal (JOURNAL)
Journal identifiersISSN: 0019-7246 • E-ISSN: 1572-8536
PublisherWalter de Gruyter GmbH (PUBLISHER • DE)
DOI10.1163/15728536-13560303
OpenAlexW2010771791
LanguageEN

A number of “masks” cast in metal are known from the North-West, particularly Kashmir and Himachal Pradesh. They are not used as theatre masks, they lack openings for view or speech, and are found in temples fixed to a wall. One, found near Peshawar in Gandhara is conspicuous by its artistic beauty. It is inscribed on its lower rim; both script and style allow to date it in the middle or late Gupta period. The inscription has been read and interpreted by G. Fussman, who assumed that some of his readings would need revision. A new reading is proposed and discussed here, as it admits of two rather divergent interpretations

Aesthetics · Art · Beauty · Geometry · Inscribed figure · Linguistics · Literature · Period (music · Reading (process · Style (visual arts · Eurasian Exchange Networks · Indian and Buddhist Studies · Mathematics · Philosophy · South Asian Studies and Conflicts

Citation velocityhistorical
Highly citedNo

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