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Holy Figures Portrayed in the Edinburgh Fragment of Rashīd al-Dīn’s World History

Bibliographic Data

ID9977835
AuthorsRobert Hillenbrand (University of St Andrews, corresponding author)
Year2017
Volume50
Issue6
Pages843-871
Publication date2017-08-22
Open AccessYes
TypeARTICLE
VenueIranian Studies (JOURNAL)
Journal identifiersISSN: 0021-0862 • E-ISSN: 1475-4819
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1080/00210862.2017.1359816
OpenAlexW2750336940
LanguageEN
Citations received4
References cited17

This paper has two purposes. One is to look carefully at the way that the stories of Sālih and Samson are told in the Edinburgh fragment of Rashīd al-Dīn’s World History and its accompanying illustrations, and the messages that these convey. The second is to explore the interplay of text and image in what might be termed “the Moses cycle” and to consider the motivation for the unusual textual and pictorial emphasis on Moses. Several aspects of the cycle are analyzed: Moses as an antetype of Rashīd al-Dīn himself, the impact of the Qur’anic text and Moses as a precursor of the Prophet Muhammad

Art · Art history · Fragment (logic · Literature · Rash · Reflexive pronoun · Computer Science · Dermatology · Historical and Linguistic Studies · History · Islamic Studies and History · Medicine · Medieval and Classical Philosophy · Philosophy

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  • Appendix

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Citations per year0.5
Citation span2018 - 2025 (8)
Highly citedNo

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