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Pictorial Modernity and the Armenian Women of Iran

Bibliographic Data

ID9978646
AuthorsHouri Berberian (University of California, Irvine), Talinn Grigor (University of California, Davis, corresponding author)
Year2022
Volume55
Issue2
Pages463-500
Publication date2022-04-01
Open AccessYes
TypeARTICLE
VenueIranian Studies (JOURNAL)
Journal identifiersISSN: 0021-0862 • E-ISSN: 1475-4819
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/irn.2021.18
OpenAlexW4225827653
LanguageEN
Citations received1
References cited34

The essay explores the entangled relationship between modernization and women's visibility and representation through three pictorial spheres most redolent of that relationship: photo studio culture (1880s–1930s), satirical cartoons (1920–58), and costume exhibition (1972–76). The study prioritizes minoritarian politics formulated by women through their organizations and public activities, whether charitable in the late nineteenth century, educational in the early twentieth century, or “civilizational” from the mid-twentieth century on. By examining pictorial and textual sources, it proposes that the Armenian woman as a discursive phenomenon was central to Iran's mainstream modernization and foregrounds the complex working of a double marginality to the processes, strategies, and anxieties of late Qajar and Pahlavi modernization

Aesthetics · Ancient history · Armenian · Art · Art history · Exhibition · Mainstream · Modernity · Modernization theory · Phenomenon · Political science · Politics · Representation (politics · Sociology · Studio · Visual arts · Gender Studies · History · Islamic Studies and History · Jewish and Middle Eastern Studies · Law · Philosophy · Turkey's Politics and Society

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Citations per year1
Citation span2025 - 2025 (1)
Highly citedNo

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