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Music

Bibliographic Data

ID9979712
AuthorsHormoz Farhat (Trinity College Dublin, corresponding author)
Year1998
Volume31
Issue3-4
Pages561-570
Publication date1998-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueIranian Studies (JOURNAL)
Journal identifiersISSN: 0021-0862 • E-ISSN: 1475-4819
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1080/00210869808701932
OpenAlexW4252383203
LanguageEN

In an Encyclopedia Devoted to Matters Pertaining to Persia and The greater Iranian cultural sphere, musical items cannot be too numerous or diverse. Musical topics fall under four categories: 1) the theory and history of traditional art music; 2) folk music of different regions; 3) musical instruments; and 4) individual musicians and their work, past and present, worthy of mention. Of these, art music provides the most extensive area for representation. The folk music of Persia, with patchy exceptions, has not been adequately studied; unfortunately satisfactory encyclopedia entries cannot be constructed in more than a few areas. The country is very rich in diverse musical instruments, but many are folk instruments about which, again, comparatively little scholarly work has been done. As to individual musicians, there are those medieval figures, mostly claimed by the Arabs and Turks as well, whom we know mainly through their extant writings on the theory of music. Only contemporary figures can be properly identified, both biographically and as to their artistic merits. They are mainly performers of the urban musical tradition

Aesthetics · Art · Encyclopedia · Extant taxon · Folk music · Linguistics · Literature · Music education · Music history · Music theory · Musical · Musical composition · Politics · Popular music · Representation (politics · Visual arts · History · Islamic Studies and History · Law · Music · Philosophy

Citation velocityhistorical
Highly citedNo

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