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Leendert Van Der Miesen

Biographic Data

ID1117858
NAMELeendert Van Der Miesen
GIVEN NAMESLeendert
FAMILY NAMEVan Der Miesen
SIGNATUREVAN DER MIESEN L
AFFILIATIONSHumboldt-Universität zu Berlin
ORCID0000-0002-6189-5835
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS1
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2020
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Songs at the Docks

    Open Access•Leendert Van Der Miesen•ARTICLE•Music and Letters•2024

    Building on recent musicological research that emphasizes the mobility of songs, this article investigates Marseille as a site of cultural encounter and highlights the musical presence of enslaved galley rowers and translators in the city. It focuses on several descriptions of music-making in southern France by the French antiquarian Nicolas-Claude Fabri de Peiresc and his efforts to find materials on Ottoman and Persian music for the music theor…

  • Sonic things

    Open Access•Viktoria Tkaczyk, Leendert Van Der Miesen•ARTICLE•Sound Studies•2020•Cited by: 1•References: 24

    This Introduction presents the key concerns of “Sonic Things: knowledge formation in flux,” a Special Issue of Sound Studies. Building on recent scholarship in sound studies, history of science, and thing studies, we use the term “sonic things” to describe sounds that stand in for other - elusive, inaudible, or ideal - sounds. Emerging from long processes of multidisciplinary knowledge production, sonic things equally have a quality in and of the…

  • Studying the echo in the early modern period

    Open Access•Leendert Van Der Miesen•ARTICLE•Sound Studies•2020•References: 23

    This article investigates the process by which the echo became one of the most prominent objects of study in early modern acoustics. Presenting a variety of scholarly work in seventeenth-century Europe, I argue that echo research in the period did not distance itself from the echo's place in mythology and natural history. On the contrary, the echo's existing function as an object of myth and curiosity helped it to attract attention in early moder…

  • Sonic things

    Open Access•Viktoria Tkaczyk, Leendert Van Der Miesen•ARTICLE•Sound Studies•2020•Cited by: 1•References: 24

    This Introduction presents the key concerns of “Sonic Things: knowledge formation in flux,” a Special Issue of Sound Studies. Building on recent scholarship in sound studies, history of science, and thing studies, we use the term “sonic things” to describe sounds that stand in for other - elusive, inaudible, or ideal - sounds. Emerging from long processes of multidisciplinary knowledge production, sonic things equally have a quality in and of the…

  • Sonic things

    Open Access•Viktoria Tkaczyk, Leendert Van Der Miesen•ARTICLE•Sound Studies•2020•Cited by: 1•References: 24

    This Introduction presents the key concerns of “Sonic Things: knowledge formation in flux,” a Special Issue of Sound Studies. Building on recent scholarship in sound studies, history of science, and thing studies, we use the term “sonic things” to describe sounds that stand in for other - elusive, inaudible, or ideal - sounds. Emerging from long processes of multidisciplinary knowledge production, sonic things equally have a quality in and of the…

  • Studying the echo in the early modern period

    Open Access•Leendert Van Der Miesen•ARTICLE•Sound Studies•2020•References: 23

    This article investigates the process by which the echo became one of the most prominent objects of study in early modern acoustics. Presenting a variety of scholarly work in seventeenth-century Europe, I argue that echo research in the period did not distance itself from the echo's place in mythology and natural history. On the contrary, the echo's existing function as an object of myth and curiosity helped it to attract attention in early moder…

  • Songs at the Docks

    Open Access•Leendert Van Der Miesen•ARTICLE•Music and Letters•2024

    Building on recent musicological research that emphasizes the mobility of songs, this article investigates Marseille as a site of cultural encounter and highlights the musical presence of enslaved galley rowers and translators in the city. It focuses on several descriptions of music-making in southern France by the French antiquarian Nicolas-Claude Fabri de Peiresc and his efforts to find materials on Ottoman and Persian music for the music theor…

Acoustics (3 works) · History (3 works) · Linguistics (3 works) · Philosophy (3 works) · Art (2 works) · Historical Influence and Diplomacy (2 works) · Historical Studies and Socio-cultural Analysis (2 works) · History (2 works) · Law (2 works) · Law (2 works)

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