Songs at the Docks
Nicolas-Claude Fabri de Peiresc and Musical Entanglements in Seventeenth-Century Marseille
Bibliographic Data
| ID | 10653127 |
|---|---|
| Authors | Leendert Van Der Miesen (0000-0002-6189-5835, Bibliotheca Hertziana – Max Planck Institute for Art History, corresponding author) |
| Year | 2024 |
| Volume | 105 |
| Issue | 1 |
| Pages | 27-51 |
| Publication date | 2024-02-27 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Music and Letters (JOURNAL) |
| Journal identifiers | ISSN: 0027-4224 • E-ISSN: 1477-4631 |
| Publisher | Oxford University Press (PUBLISHER • GB) |
| DOI | 10.1093/ml/gcad068 |
| OpenAlex | W4388497068 |
| Language | EN |
| References cited | 3 |
Building on recent musicological research that emphasizes the mobility of songs, this article investigates Marseille as a site of cultural encounter and highlights the musical presence of enslaved galley rowers and translators in the city. It focuses on several descriptions of music-making in southern France by the French antiquarian Nicolas-Claude Fabri de Peiresc and his efforts to find materials on Ottoman and Persian music for the music theorist Marin Mersenne. Utilizing the constant influx of goods and people into the city, Peiresc relied on mercantile networks to obtain transcriptions of songs and music theoretical texts, engaging various informers and translators from the eastern Mediterranean. Focusing on a transcription of a single song that has been lost, the article traces the song’s connections to cultures of collection, cultural translation, and transcription, with singing constituting a central site in which to negotiate and perform otherness
Acoustics · Art · Linguistics · Literature · Musical · Negotiation · Singing · Sociology · Transcription (linguistics) · Visual arts · Historical and Literary Studies · Historical Influence and Diplomacy · Historical Studies and Socio-cultural Analysis · History · Philosophy
| Citation velocity | historical |
|---|---|
| Highly cited | No |